Human architectonic space is at the same time a narrating and to be narrated one. The ways in which this narration has been configured in the past, takes shape in the present and hopefully will also be concretized in the future, are a subject that constantly questions us about the coding of languages. Therefore, in its cyclicality (language/code/memory/language) the narration strives to root our existence in what preceded us, almost as a legitimacy of our actions, while the language code acts as a continuous medium between the meaning of things and their cultural significance. In this direction, some philosophers of the twentieth century have sought a path of sense for the complex world of signs, which today invests indifferently information, art, architecture and design. These disciplines are inevitably called to compare with the rampant and noisy world of images, involved today into an excess of communication, but at the same time afflicted by a narrative loss.
Interior(s) Tales. Racconti di interni, racconti interiori / Centineo, Santi (DESIGN E CONTESTI). - In: Design e narrazioni. Spazi fisici e concettuali per il progetto della conoscenza / [a cura di] Viviana Trapani, Serena Del Puglia. - STAMPA. - Siracusa : LetteraVentidue, 2022. - ISBN 978-88-6242-768-5. - pp. 84-95
Interior(s) Tales. Racconti di interni, racconti interiori
Santi Centineo
2022-01-01
Abstract
Human architectonic space is at the same time a narrating and to be narrated one. The ways in which this narration has been configured in the past, takes shape in the present and hopefully will also be concretized in the future, are a subject that constantly questions us about the coding of languages. Therefore, in its cyclicality (language/code/memory/language) the narration strives to root our existence in what preceded us, almost as a legitimacy of our actions, while the language code acts as a continuous medium between the meaning of things and their cultural significance. In this direction, some philosophers of the twentieth century have sought a path of sense for the complex world of signs, which today invests indifferently information, art, architecture and design. These disciplines are inevitably called to compare with the rampant and noisy world of images, involved today into an excess of communication, but at the same time afflicted by a narrative loss.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.