This research examines the profound impact of the digital revolution on Italian graphic design between the early 1980s and late 1990s — a period marked by the advent of personal computing and desktop publishing. Despite its significance, this transition remains underexplored in both national and international design historiography. Through selected case studies and interviews with key designers, curators, and cultural figures, the study reconstructs the emergence of screen-based and digitally produced graphic design in Italy. Due to the scarcity of archival sources and the obsolescence of early digital formats, oral histories are employed as a central methodological tool, offering insight into the social and professional shifts of the era. The research also identifies generational distinctions and regional patterns, highlighting the role of experimentation and decentralization in shaping a uniquely Italian response to global technological change. This work contributes to broader discussions on digital design history and historiographical methods.
Digital Transitions. Reconstructing the Italian Graphic Design Scene (1980s-1990s) / Pastore, Monica - In: Design Research Streams. An Inquiry across emerging theories and practices / [a cura di] A. Caccamo, L. D'Elia, C. Rotondi. - STAMPA. - Soveria Mannelli : Rubettino, 2025. - ISBN 9788849886917. - pp. 142-151
Digital Transitions. Reconstructing the Italian Graphic Design Scene (1980s-1990s)
Pastore, Monica
2025
Abstract
This research examines the profound impact of the digital revolution on Italian graphic design between the early 1980s and late 1990s — a period marked by the advent of personal computing and desktop publishing. Despite its significance, this transition remains underexplored in both national and international design historiography. Through selected case studies and interviews with key designers, curators, and cultural figures, the study reconstructs the emergence of screen-based and digitally produced graphic design in Italy. Due to the scarcity of archival sources and the obsolescence of early digital formats, oral histories are employed as a central methodological tool, offering insight into the social and professional shifts of the era. The research also identifies generational distinctions and regional patterns, highlighting the role of experimentation and decentralization in shaping a uniquely Italian response to global technological change. This work contributes to broader discussions on digital design history and historiographical methods.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

